Angela Tiatia explores contemporary culture through performance, moving image, painting, sculpture and photography, drawing out the relationships between representation, gender, neo-colonialism and the commodification of body and place. Often through the lenses of history, popular and material culture, the artist moves deftly in her compositions of still and moving image from pointed detail to satellite view addressing themes within power structures and how these impact the individual and their communities.

Selected Works
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The Dark Current, 2023.
Single-channel High Definition video, colour, sound
17 minutes, 19 seconds
Edition of 5 plus 2 artist's proofs

The Pearl 

single channel digital video, colour, sound
7 minutes, 46 seconds, aspect ratio: 32:9
Edition of 8

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The Fall 2017

Two-channel High Definition video
16:9, colour, no sound
4 minutes, 58 seconds
Edition of 5 plus 2 artist's proofs

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Narcissus 2019

Single-channel 2k High Definition video, colour
13 minutes, 11 seconds

The Golden Hour 2020

pigment print on 300gsm premium gloss photo paper
67 × 270cm
Edition of 3 plus 2 artist's proofs

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Holding On 2015

Single-channel High Definition video 16:9, colour, sound
12 minutes, 12 seconds

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Hibiscus Rosa Sinensis 2010

single-channel High Definition video
16:9, colour, no sound
1 minute, 31 seconds

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Lick 2015

Single-channel High Definition video 16:9, colour, sound
6 minutes, 33 seconds
Edition of 8 plus 2 artist's

Available Works
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About

Angela Tiatia

Biography

Lives and works in Sydney, Australia
Born 1973, Auckland, New Zealand

Angela Tiatia explores contemporary culture through performance, moving image, painting, sculpture and photography, drawing out the relationships between representation, gender, neo-colonialism and the commodification of body and place. Often through the lenses of history, popular and material culture, the artist moves deftly in her compositions of still and moving image from pointed detail to satellite view addressing themes within power structures and how these impact the individual and their communities.

Tiatia was recently awarded several prestigious public commissions including The Dark Current Ian Potter Moving Image Commission, Australian Centre for Moving Image (2023); Illuminate, Art Gallery of South Australia Commission, Australia (2023); Murmurations in collaboration with Tony Albert, Hyde Park Barracks Commission, Museum of History, NSW, Australia (2023); The Pearl, Art Gallery of New South Wales, Sydney (2021) and The Golden Hour, Art Gallery of New South Wales, Sydney (2020). Tiatia was the winner of the 2023 Fisher’s Ghost Art Award, for her work, The Dark Current.

Her work is held in numerous national and international public collections including Fonds régional d'art contemporian, France; Auckland Art Gallery, New Zealand; Museum of New Zealand Te Papa Tongarewa; Art Gallery of New South Wales, Sydney; Museum of Contemporary Art, Sydney; Australian Museum, Sydney; National Gallery of Victoria, Melbourne; Australian Centre for the Moving Image, Melbourne; Queensland Art Gallery | Gallery of Modern Art, Brisbane; Australian War Memorial Museum, Canberra and the Perth Institute of Contemporary Art, Western Australia.

Tiatia has exhibited extensively both nationally and internationally. Recent group exhibitions include Rising Tide: Art and Environment in Oceania, National Museum Scotland (August 2023); Always Song in the Water, New Zealand Maritime Museum, Auckland (August 2023); Meltwater, Fogo Island Arts, Canada (August 2023). Important recent institutional group exhibitions include Matisse Alive, Art Gallery of New South Wales (2021-2022); National Gallery of Victoria Triennial, VIC (2020); Archi-Plus, Art Gallery of New South Wales (2020); Southern Transmissions: Contemporary Video Art From Oceania, Duolun Museum of Modern Art, Shanghai (2020); Paul Gauguin, Why are you angry?, Ny Carlsberg Glyptotek Copenhagen, Denmark (2020); After Us The Deluge, Kunst Haus Wien, Museum Hundertwasser, Vienna, Austria (2020); From all points of the southern sky: photography from Australia and Oceania, Southeast Museum of Photography, Daytona State College, Florida (2020); Refracted Reality, Perth Institute of Contemporary Art, Australia (2020). WATER, Queensland Art Gallery | Gallery of Modern Art, Brisbane (2019/2020); Intercambio, Cuba Biennial, Havana (2019), Tūrangawaewae: Art and New Zealand, Toi Art, Gallery of the Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand (2018/2020); After the Fall, National Museum of Singapore (2017).

Her recent solo exhibitions include The Dark Current, Sullivan+Strumpf Sydney (2023); Narcissus, Sullivan+Strumpf, Sydney (2019); The Fall, Margaret Lawrence Gallery, Melbourne (2019); Tuvalu, The Australian Museum, Sydney (2019); Walking the Wall, GAGPROJECTS, Adelaide (2017): Soft Power, Alaska Projects, Sydney (2016); Survey / Fā’aliga,
Māngere Arts Centre - Ngā Tohu o Uenuku, Auckland (2016).

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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