The Kunstmuseum St Gallen is offering an overview of Millar’s entire oeuvre, which she has created in Auckland and partly in Berlin over the past forty years. Together with her well-known serial paintings with expressive brushwork and broken up spaces, the artist has created a spatial installation of paintings for the Skylight Hall. A surprise is the early abstract geometric drawings from the 1980s shown for the first time in Europe. The Future and the Past Perfect curated by Roland Waespe
Exhibition Text
The Future and the Past Perfect
Selected Works
Installation Views
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
Judy Millar, The Future and the Past Perfect, 2019. Installation View, Kunstmuseum St Gallan, Switzerland. Photo by Sebastian Stadler
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