Ramesh Mario Nithiyendran
Seated Figure/Self Portrait with Interchangeable Head
Art Gallery of Ballarat
7 Dec 24 – 2 Mar 25
Selected Works
Dropdown IconInstallation View

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Ramesh Mario Nithiyendran, Seated Figure/Self Portrait with Interchangeable Head, 2024. Installation view, Art Gallery of Ballarat.

Exhibition Text

With the generous support of donors Michael Combs and Adam Haddow, the Art Gallery of Ballarat commissioned Nithiyendran to develop a new work in conversation with a painting in their collection, Buddha’s renunciation 1884, by English artist Nicholas Chevalier (1828-1902). By selecting a painting made in Australia in the 1880s with a European style, depicting a story that originated in India over 2,000 years ago, Nithiyendran continues his exploration of global histories and languages of figurative representation. The two works were displayed together in an installation environment that draws upon elements of the artist’s Sydney studio.

Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.

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