Jemima Wyman is a Palawa woman, with paternal descendants from the Pairrebeener people of Tebrakunna, and Poredareme. She has maternal descendants from England. Wyman’s practice focuses on patterns and masking to investigate visual resistance: specifically camouflage as a formal, social, and political strategy in negotiating identity.
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Jemima Wyman is a Palawa woman, with Paternal descendants from the Pairrebeener people of Tebrakunna and Poredareme. She has maternal descendants from England. Wyman’s practice focuses on patterns and masking to investigate visual resistance: specifically camouflage as a formal, social and political strategy in negotiating identity.
Through her hand-cut photograph collages, she preserves universal acts of protest and confrontation, exploring themes of upheaval, uncertainty, and distress. These events are extensively documented by Wyman’s artwork titles that caption collective histories of global demonstration.
Wyman has exhibited widely in Australia and internationally. Her first survey exhibition, Crisis Patterns, will show at Artspace Mackay in October 2024. Recent solo exhibitions have been held at Sullivan+Strumpf, Melbourne (2023) and Sydney (2021, 2019 & 2017); Commonwealth and Council, Los Angeles (2018 & 2015) and Milani Gallery, Brisbane (2015). The artist has participated in group exhibitions at QAGOMA, Brisbane (2023); Melbourne Art Fair, Sullivan+Strumpf (2022); IMA, Brisbane (2021); Blackwood Gallery, University of Toronto (2020); TRANSFER, New York (2019), HeK, Basel, (2019), Chronus Art Center, Shanghai (2019); La Gaîté Lyrique, Paris (2019); ZKM, Germany (2018) and Wellington City Gallery, New Zealand (2018). Her work has been reviewed in The New York Times, Los Angeles Times, Artforum, Frieze, Eyeline, Art Monthly Australasia and Artlink.
Wyman’s work is held in several significant collections, including the Whitney Museum (USA), Museum of Contemporary Art (Sydney), National Gallery of Australia (Canberra), Queensland Art Gallery | Gallery of Modern Art (Brisbane), Artbank (Australia), and 21st Century Museum of Art (Japan).
Sullivan+Strumpf acknowledge the Indigenous People of this land, the traditional custodians on whose Country we work, live and learn. We pay respect to Elders, past and present, and recognise their continued connection to culture, land, waters and community.