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MCGREGOR, LAITH

2013
2012
2011
2010
2009
2008
2007

CV/BIO

EXHIBITIONS

Speak to Me
Sullivan+Strumpf 2013
Laith McGregor: Ohne Titel (Them Listless Folk From Apocryphal)
SSFA 2012
SSFA End of Year 2011
Korean International Art Fair 2011
2011 SSFA2011
2010 Melbourne Art Fair: Marc de Jong - Pntngs4 & Laith McGregor - Moontown
2010 Hong Kong Art Fair
2010 Laith McGregor: Inland Sea Shanty
2010 SSFA10
2009 Laith McGregor: Based on a True Fable
2009 SSFA09
2008 Laith McGregor, Tom Polo, Emily Portmann & Jackson Slattery

OFF-SITE EXHIBITIONS

PRESS

'Apocryphal, Now', Andrew Frost, Art Monthly Australia, Issue 253, Sep, 2012
Someone to watch over you, C Kibbler. Portrait Jun/Aug 2012 p46-51
Zombie thoughts from the past: Writing and the public sphere, Art Monthly, June 2012, John McDonald
2012 'Writing & the Public Sphere', Art Monthly Australia
2012 'Ghost Protocol',Timeout Sydney, March
2012 'Laith McGregor' Artist Profile, Issue 18, Ashley Crawford
2012 'Last Days' John McDonald, March
2012: Metro Critics' Choice, Andrew Frost, March
2012: This Art Life 'Them Listless Folk'
Maturing 2008, Queensland Art Gallery, 2011
Biro Art, Time Out Sydney, 2011
Laith McGregor, Artwise 2, 2011
Art Nation: Laith McGregor, July 2010
Laith McGregor, Heide Museum of Modern Art, 2010
Shine on you crazy diamond, Kinki, 2010
50 Things Collectors Need to Know, Australian Art Collector, 2009
McGregor Stars for Sullivan+Srumpf Fine Art, Australian Financial Review, 2009
Some personal anecdotes about my beard, Trunk VOL1: Hair, 2009
Drawing outside the lines, Art Guide, 2009
On Their Marks, Get Set, Go, Sydney Morning Herald, 2009

VIDEO/AUDIO

Laith McGregor, Art Nation, ABC Arts, July 2010

AVAILABLE WORKS

2010 LAITH MCGREGOR: INLAND SEA SHANTY

EXHIBITION IMAGES

Laith McGregor extended his creative reach into international regions with a residency at the Centre Intermondes, La Rochelle, France in January 2010. Taking truly non-fiction materials and creating fictional narratives, McGregor presents his new cast of characters, the products of his residency.

“This story is from an outsider’s perspective. An observation of a French portside cities rich History. La Rochelle, has provided the backdrop for a fable, a seaman’s song, a sea shanty. Part autobiography, part documentation, fiction and non-fiction. Historical figures and fictitious characters morf and weave, reaffirming themselves and their presence like phantoms into the fabric of my journey like a classical poem, lives, places and paths intertwine into a new story, a comedy and a tragedy.” – Laith McGregor 2010
Emerging from the systemic nature of mundane inventions of work life, come the typical mark making tools prosaically confined to administration and documentation. Items not typically invited to the art world’s canon of materials become the modus by which Laith subverts the context by skillfully inventing drawings from biro pen, paper, permanent marker and tarp among others. Surfacing topics from hero worship, personal family story, gender stereotypes, beards, wisdom and authority. McGregor infuses a do-it-yourself ethos into the ordinary, articulating painfully detailed lines into a mesmerizing contemporary narrative.