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MCGREGOR, LAITH

2013
2012
2011
2010
2009
2008
2007

CV/BIO

EXHIBITIONS

Speak to Me
Sullivan+Strumpf 2013
Laith McGregor: Ohne Titel (Them Listless Folk From Apocryphal)
SSFA 2012
SSFA End of Year 2011
Korean International Art Fair 2011
2011 SSFA2011
2010 Melbourne Art Fair: Marc de Jong - Pntngs4 & Laith McGregor - Moontown
2010 Hong Kong Art Fair
2010 Laith McGregor: Inland Sea Shanty
2010 SSFA10
2009 Laith McGregor: Based on a True Fable
2009 SSFA09
2008 Laith McGregor, Tom Polo, Emily Portmann & Jackson Slattery

OFF-SITE EXHIBITIONS

PRESS

'Apocryphal, Now', Andrew Frost, Art Monthly Australia, Issue 253, Sep, 2012
Someone to watch over you, C Kibbler. Portrait Jun/Aug 2012 p46-51
Zombie thoughts from the past: Writing and the public sphere, Art Monthly, June 2012, John McDonald
2012 'Writing & the Public Sphere', Art Monthly Australia
2012 'Ghost Protocol',Timeout Sydney, March
2012 'Laith McGregor' Artist Profile, Issue 18, Ashley Crawford
2012 'Last Days' John McDonald, March
2012: Metro Critics' Choice, Andrew Frost, March
2012: This Art Life 'Them Listless Folk'
Maturing 2008, Queensland Art Gallery, 2011
Biro Art, Time Out Sydney, 2011
Laith McGregor, Artwise 2, 2011
Art Nation: Laith McGregor, July 2010
Laith McGregor, Heide Museum of Modern Art, 2010
Shine on you crazy diamond, Kinki, 2010
50 Things Collectors Need to Know, Australian Art Collector, 2009
McGregor Stars for Sullivan+Srumpf Fine Art, Australian Financial Review, 2009
Some personal anecdotes about my beard, Trunk VOL1: Hair, 2009
Drawing outside the lines, Art Guide, 2009
On Their Marks, Get Set, Go, Sydney Morning Herald, 2009

VIDEO/AUDIO

Laith McGregor, Art Nation, ABC Arts, July 2010

AVAILABLE WORKS

LAITH MCGREGOR: OHNE TITEL (THEM LISTLESS FOLK FROM APOCRYPHAL)

EXHIBITION IMAGES

Ohne Titel (Them listless folk from Apocryphal) sits within a poetic sphere. With ghosts and lost souls wandering through the works, McGregor is exploring an in-between state, a place that does not exist, a grey area of the unknown.

 

In this body of work McGregor is chasing the ghost 'Waterface' - an imaginary friend from his childhood that has appeared throughout his practice as an elusive figure. “I am still trying to reflect on and conjure this figure from my past. I am curious why the figure presented itself to me, perhaps as future self, a family member of the past or simply an apparition with changing masculine identities. But the question was always why? ”

In McGregor's distinctive style, he engages with a language of magical realism, blending aspects of photorealism with memory, literature, art history, popular culture and the imagination. This body of work drifts in and out of focus, a psychedelic cascade of shapes and forms that create a Horror Vaccui in the gallery space.